12,929 Royalty-Free Audio Tracks for "Audio Files"

Mozart String Quartet No. 14, I Allegro vivace assai (extract)

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Dan Papirany interview on New Zealand national radio concert FM

Chopin's Nocturne in C minor, Op. posth. (Chopin), recorded by Diana Hughes.

Excerpt from Mendelssohn's Op. 102, No. 3, mm. 47-49. Original work is public domain, image by the uploader.

Chord progression with diminished seventh chords added.

A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.

A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.

Beethoven Quartet Op. 127 first movement, bars 135-9

Bach Air from Suite 3 in D bars 1-2

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Bengali movie song from Marutirtha Hinglaj

Bach Minuet from Partita 5 in G bars 1-12

Noble patria performed by the United States Navy Band

A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.

Beethoven Piano Concerto 4 slow movement, bars 47-55

Oh, How That German Could Love composed and sung by Irving Berlin in 1910

Bach Minuet from Partita 5 in G bars 37-52

Minuet - Notebook for Anna Magdalena by Aaron Dunn

Chant populaire tchouvache, enregistré sous la direction de Grigori Sandler.

Arrangiamento di Gabriele Piccinnu sul Notturno op. 27 no. 20 di F. Chopin

Missa Papae Marcelli - IV. Sanctus, by Giovanni Pierluigi da Palestrina

Pavan: Belle qui tiens ma Vie from Orchesographie Opus

w:Amazing Grace (jazz vocal version), Free (track 8 of 14)

Audio sample which exemplifies Andalusian cadences, as shown in the article (see the picture below the Structure section). Recorded using an emulated acoustic Steinway piano through the Sound Font 2 technology, on August 9th, 2007 and released into public domain in the same day.

*Ditone (Pythagorean major third) on C = E+ (Ben Johnston's notation). Just: 81:64 = 407.82 cents. Limit: 3-limit. MIDI pitch bend: 64,66 81st harmonic.

*Tridecimal neutral sixth (Thirteenth harmonic) on C = A13♭ (Ben Johnston's notation). 13:8 = 840.53 cents. Limit: 13-limit. MIDI pitch bend: 124,76

*Hundred-seventeenth harmonic on C = B♭. Just: 117/64 = 1044.44 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 13-limit. MIDI pitch bend: 28,78

*Fifty-seventh harmonic on C = B♭. Just: 57:32 = 999.47 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 19-limit. MIDI pitch bend: 106,95 on M6

Ein Kind geborn zu Betlehem; Gotteslob (1975) 146; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 740

Sound file of melodic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07

The Lord's My Shepherd (Crimond tune) Der Herr, mein Hirte, Evang. Gesangbuch Bayern-Thüringen 594

*Two-hundred-eighty-seventh harmonic on C = D. Just: 287/256 = 197.89 cents. Limit: 41-limit. MIDI pitch bend: 41,63

*Eight-hundred-fifty-first harmonic on C = G+. Just: 851/512 = 879.62 cents. Limit: 37-limit. MIDI pitch bend: 61,57

*Six-hundred-twenty-ninth harmonic on C = D. Just: 629/512 = 356.30 cents. Limit: 37-limit. MIDI pitch bend: 2,50

*Three-hundred-seventy-fifth harmonic on C = F+. Just: 375/256 = 660.90 cents. Limit: 5-limit. MIDI pitch bend: 62,51

*Five-hundred-eighty-ninth harmonic on C = D. Just: 589/512 = 242.55 cents. Limit: 31-limit. MIDI pitch bend: 78,77

*Six-hundred-sixty-third harmonic on C = E. Just: 663/512 = 447.44 cents. Limit: 17-limit. MIDI pitch bend: 23,79

*Six-hundred-sixty-seventh harmonic on C = E+. Just: 667/512 = 457.85 cents. Limit: 29-limit. MIDI pitch bend: 65,82

*Three-hundred-fifty-first harmonic on C = F+. Just: 351/256 = 546.39 cents. Limit: 13-limit. MIDI pitch bend: 108,78

*Four-hundred-ninety-third harmonic on C = B. Just: 493 : 256 = 1134.53 cents. Limit: 29-limit. MIDI pitch bend: 6,75

*Two-hundred-thirty-fifth harmonic on C = B. Just: 235/128 = 1051.82 cents. Limit: 47-limit. MIDI pitch bend: 74,48

*Two-hundred-eighty-fifth harmonic on C = D. Just: 285/256 = 185.78 cents. Limit: 19-limit. MIDI pitch bend: 57,59

*Two-hundred-eighty-ninth harmonic on C = C. Just: 289:256 = 209.91 cents. Limit: 17-limit. MIDI pitch bend: 21,67